A broad term which encompasses various ageing/distressing methods used to achieve a worn look to the stone. Please note, the effect of the various antiquing methods will vary dependent upon the stone and the country of origin.
A finish applied to natural stone which is achieved by using steel brushes to age the surface of the stone, giving a slight surface texture and a satin patina to the surface. Depending on the material, a subtly softened edge may also be associated with this finish.
The term is also used for Porcelain tiles that have a subtle surface texture which mimics the brushed finish of natural stone tiles.
A term which refers to slabs which offer mirror images of each other as if opening on the pages of a book. This can be achieved with natural stone whereby two slabs are cut from the same block and the two adjoining faces are finished. Porcelain ‘slabs’ can be used to create this look, the opposite slabs being exactly symmetrical. Bookmatch slabs are always ordered in pairs or multiples of two to achieve the ‘bookmatching’ effect.
Ceramic is not only the overall, umbrella term for any man-made tiles formed from clay but also used to describe a tile fired at lower temperatures and with greater water-absorbency than those classed as ‘Porcelain’. Ceramic tiles are usually glazed and are often for wall use only because of this, but many can be used on both walls and floors. Ceramic tiles are suitable for all internal, residential applications.
Chevron tiles are cut so that the short edges are at an angle, enabling them to create this on-trend ‘arrow head’ pattern. Left and right Chevrons will be supplied and should be fitted accordingly.
Generally a smaller stone format of greater thickness which is used externally. Cobbles in 50mm thickness are suitable for use on driveways.
A unique firing method which gives a cracked and glossy surface, where no two tiles are the same. Unusually for man made tiles, Crackle Glaze tiles require sealing with Fila MP/90 Eco Xtreme.
Exclusively relates to Travertine indicating the blocks are cut so that the planar face of the tile is at right-angles to the predominant course of the veining.
Decor tiles are strikingly patterned, have an ornate shape or surface texture to serve as a counterpoint to more neutral base tiles within their range.
Decorative tiles have intricate and beautiful, hand-designed patterns applied to the surface by various means or ornate surface textures which can be used as a focal point, usually in contrast with plainer surfaces.
Fabrication is the term used for the process of creating bespoke pieces from natural stone slab or tile. These pieces can be bespoke worktops, vanity tops, bath surrounds, stair treads & risers etc. Porcelain can also be used for various applications.
This term is related primarily to Travertine, which is characterised by surface pits and holes. These holes can be pre-filled at source by a stone resin which is as similar as possible to the colour of the stone. Once filled the stone is then worked to a Honed or Polished finish. Not every single pit/hole will be completely filled, and therefore even a pre-filled Travertine may require some filling by grout during the fixing process. It is not unusual for any natural stone tile to have some degree of surface fill present. Ongoing resin filling may be required as part of your maintenance regime.
This is a thin line of mineral veining which can occur in natural stone, normally contrasting with the base colour of the stone and so can be mistaken for a crack in the tile.
Generally used to refer to a larger stone or porcelain tile of a greater thickness which can be used externally or internally. Many 20mm thick outdoor porcelains have large ‘flag’ options available.
A mix of a square and rectangle tile which are laid in courses and alternated to achieve a more random appearance than the use of one size alone.
A fossil is ‘evidence of past life, in natural stone wall and floor tiles, this usually takes the form of ancient animals or plants which can be found in certain types of natural stone, generally Limestones, Marbles and occasionally Sandstone.
A laying format which utilises tiles of a fixed width but varying lengths. i.e. 400mm or 600mm and the lengths of the tiles vary randomly or are a mix of a minimum of two different lengths, offering a look which is reminiscent of traditional stone floors. Please see Stone Layouts for available stones.
Glazed tiles are usually porcelain or ceramic with a coloured or patterned glaze applied to the surface.
A reflective, shiny surface finish option for Porcelain, Ceramic, Decorative or Glazed tiles.
A method of laying whereby tiles are laid perpendicular to each other to give a staggered ‘V’ pattern. This fixing pattern works well with small rectangular tiles but can be achieved with any rectangular tile format.
A smooth, matt, non-polished finish to the face of stone. Edges are either straight or beveled which gives a contemporary/classic look.
A non-reflective, more natural finish applicable to Porcelain, Decorative or Glazed tiles.
Minerals are naturally occurring, non-living solids, which combine to form rock. Certain minerals may be sensitive to prolonged exposure to moisture, giving various results. Quartz and Calcite are two of the minerals most commonly found in stone.
Small chips of stone are arranged on a mesh backing or have a plastic sheet on the face for ease of installation, The chips can vary in size and format from squares or rectangles through to hexagons or scallops. The mesh backing or covering is designed to hold the chips together during transportation and installation, so excessive handling should be avoided. Mosaics allow intricate and complicated patterns to be installed quickly and easily. Because of this method of production, nominal variation of both chips and spacing should be expected.
A small variation from stated sizes and thicknesses which occurs due to production methods used. This variation should always be expected and can be more pronounced the larger the tile.
Unlike Rectified products, Non-rectified Porcelain or Ceramic tiles are not cut to size after the firing process. When firing, the wet clay is subject to expected shrinkage and warpage. The tiles are graded after firing but do not undergo any additional cutting. Because of this, greater variation in size between tiles should be expected than with a rectified tile. Non-rectified tiles are usually smaller, patterned or glazed tiles which would mean cutting after firing would affect the overall look of the material.
In tile format, a large square tile that has each corner cut off in order to accommodate a smaller ‘inset’ tile, normally of a contrasting coloured material. Please see stone layouts.
A repeating modular pattern made up of at least three different tile sizes in order to give a random effect to the floor. There are various Opus patterns available in specific products. Please note you cannot choose a material to come in a particular Opus, the material will come in the Opus stated. Please see individual product pages and Stone Layouts. NB. Where a product is available in an Opus pattern, tiles are sold to the nearest full module but priced per m².
A highly–reflective, gloss finish applied to the surface of stone. Polished tiles can have either straight or bevelled edges.
Porcelain tiles are generally formed from kaolin clays and fired at upwards of 1,200°C. This makes them incredibly dense & hard-wearing with a very low porosity or water-absorption compared to Ceramic tiles.
A broad term which encompasses various finishing methods used to achieve a traditional antique floor effect. Each piece of stone is finished by hand; some pieces will have a soft stippled surface, whereas others will have smooth undulations or pillowed edges. These finishes generally create the most authentic looking time-worn floors.
This term is applied to Porcelain or Ceramic tiles that are cut to size after the firing process. Rectified tiles are ‘dimensionally stable’ and will exhibit little variation in size of tiles from one production run. Tiles from different production runs will tend to exhibit greater variation and so enough tiles to complete the installation should be ordered in the first instance. Different sizes within ranges will vary significantly however so should not be mixed.
A naturally cleft face which is achieved by splitting blocks of stone along natural laminations. This term usually relates to Slate, Sandstone and sometimes Limestone.
Achievable in ranges that have several tiles which share a common width. Tiles are laid in courses of the same width and the sizes alternated to give a more random appearance.
In terms of stone, a large piece of stone which can be fabricated into worktops, vanity tops, bath surrounds etc. Stone slabs are usually available in either 20mm or 30mm.
Porcelain ‘Slabs’ are large pieces which are usually only 6mm in thickness, so suited to panelling walls and other installations.
A term referring to how much grip a tile offers. This can be measured in several ways, the two most common methods being the Pendulum & Ramp test. This property is more relevant to commercial applications than residential however, additional grip in wet areas or externally is always preferable to increase safety. This information is readily available for Porcelain products.
A method of hand finishing which gives a highly textured, variegated and tactile surface. This method of finishing is also used to give texture to the external surfaces of some Stone Basins.
A rectangular, glazed tile with a raised profile giving texture to walls.
A method of ageing stone, whereby the tiles are ‘tumbled’ to give them a rounded, antique edge finish. On certain stones, this process may also leave the surface more open and slightly textured.
This term primarily relates to Travertine which is characterised by surface pits and holes. An unfilled finish leaves these holes open. Unfilled Travertine will need to be ‘slurry grouted’ across the surface of the stone in order that the holes are filled. Small holes can sometimes be found in Limestone and Marble which can be left unfilled or filled with grout dependent on preference.
The occurrence of irregular lines of minerals found in stone, most notably Marble although it can be present in all natural stone.
As porcelain or ceramic tiles are fired they can shrink and bow or warp. This is usual with man-made tiles but can be more pronounced with larger tiles. To avoid emphasizing this warpage, larger tiles should not be ‘brick-bonded’.